ā€œI lost in the final and went very hard on myselfā€: Mirra Andreeva details Madrid emotional fallout

WTA
Friday, 08 May 2026 at 01:00
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Mirra Andreeva arrived at the Rome Open 2026 after a clay-court swing that included a title in Linz, a semifinal in Stuttgart and a run to the final in Madrid, where she lost the decisive match at WTA 1000 level. In Rome, she opened with a 6-1, 6-0 win over Antonia Ruzic, a match that highlighted a clear shift in conditions compared to Madrid.
Despite the result in her opening round, the focus of her comments remained on what followed Madrid. She described an immediate emotional reaction after the final loss, which she characterised in direct terms. ā€œI lost in the final. Oh, my God, I’m playing very bad right now. What is that?ā€ the world No. 7 said to Tennis Channel.
The contrast between tournaments was also central to her explanation of early adjustments in Rome. She pointed to the difference between Madrid’s fast conditions and Rome’s heavier clay, which altered her shot production and timing during practice sessions.
ā€œHonestly, like first two practices that I had here, I was pretty nervous because the conditions obviously are very different,ā€ Andreeva added. ā€œAnd as soon as I started hitting with girls and we played points, I want to finish the point and I feel like the ball just doesn't fly.ā€

Self-criticism after Madrid and emotional reset through competition

Andreeva expanded on the emotional reaction after her Madrid final loss, where she reached the title match at WTA 1000 level before falling short.
She was explicit about the internal response she had in the immediate aftermath. ā€œI was really being hard on myself. After the final that I lost, obviously all I could think of how bad I was playing. I lost in the final. Oh, my God, I’m playing very bad right now. What is that?ā€
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Mirra Andreeva celebrating the victory in the game, she raises her arms during the Mutua Madrid Open reaching her first Madrid semifinal
She also explained how quickly that mindset began to shift once she was back in competition the following day, when she played the doubles final. The need to refocus on performance altered her emotional state.
ā€œBut then the next day I can be very thankful that we were in the doubles final because it got me into another mindset that I couldn't just really be sad about losing the final. I really needed to focus on how to win the doubles final.ā€
Andreeva placed the Madrid result within the broader context of her clay season, which has included multiple deep runs and consistent results across events. ā€œIt was a great start to the clay season. I won a lot of matches and OK, wasn’t meant to be on this one. But we have Rome, we have Roland-Garros in a couple of weeks as well.ā€

Conditions shift in Rome and Conchita MartĆ­nez’s tactical input

The transition from Madrid to Rome required immediate technical adjustment due to contrasting playing conditions. Madrid’s altitude accelerates ball speed, while Rome’s slower clay surface extends rallies and reduces direct winners.
Andreeva described how quickly that difference affected her game in practice sessions. ā€œMy serve is slower. I cannot hit winners from the baseline. I feel like the ball just doesn't fly. And it all lands on the service line,ā€ the 19-year-old player claimed. ā€œHonestly, like first two practices that I had here, I was pretty nervous because the conditions obviously are very different. And as soon as I started hitting with girls and we played points, I want to finish the point and I feel like the ball just doesn't fly.ā€
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The adjustment process included input from coach Conchita MartĆ­nez, whose past success in Rome provided a reference point for tactical changes. MartĆ­nez is a four-time champion at the tournament.
ā€œWe talked with Conchita. Obviously she has some experience playing on these courts. So we had a little talk and we were able to adjust my game just in time before my first round match.ā€
She also reacted to discovering MartĆ­nez’s historical record at the venue through visuals around the tournament site. ā€œAnd then I see pictures in that tunnel when we go to the other gym. And I see her pictures like four times in a row. And I'm like looking there. And then I look at her and I'm like, wow.ā€
Andreeva also addressed the broader challenge of managing expectations during a season already marked by deep runs at major events. At 19, she has consistently reached late stages of WTA tournaments, increasing scrutiny and internal pressure.
ā€œI’m learning on how to be nicer to myself and how to understand and accept that sometimes, obviously, you’re not going to be perfect,ā€ Mirra Andreeva reflected. ā€œSometimes things are just going to go different ways, not just according to your plan. And you know, with time, I’m kind of learning how to accept all of that.ā€
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